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THE MAFIA KING'S DAUGHTER TOUCHED A PAINTING NO ONE WAS ALLOWED TO TOUCH — WHAT HE FOUND LEFT HIM SPEECHLESS

Chapter 3

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I have spent months trying to understand what is happening inside this family. I have found evidence of betrayal, but the man responsible is closer to us than I ever imagined.

Do not trust the accounts.

Do not trust the men who speak most passionately about loyalty.

And above all, do not believe that my death will be the end of this.

There is something hidden inside the portrait in the west gallery.

Your father does not know about it.

I wanted to tell you everything, but I could not risk your life.

If you ever find yourself standing before that painting, remember this:

The truth was never in the face.

It was behind it.

Your loving mother,

Isabella.

Alessandro read the letter twice.

Then a third time.

His eyes lifted.

"The portrait."

Elena nodded.

"Yes."

"What is behind it?"

"I don't know."

"You lived in this house. You were here when she died. You must know something."

"I know she asked me to protect it."

"Protect what?"

"Whatever she hid."

Alessandro folded the letter.

For the first time in years, he felt that the past had become something physical.

Something standing in the room with him.

"Why did you wait eighteen years?"

Elena looked toward the window.

"Because I was afraid."

"Of whom?"

"Salvatore's men."

"He is dead."

"His nephew isn't."

Alessandro's gaze sharpened.

"Who?"

"Adrian Vescari."

***

Adrian Vescari was forty-one years old.

He had inherited neither his uncle's patience nor his talent for remaining invisible. But he had inherited something more dangerous.

An appetite for power.

For years, Adrian had occupied a position within the Moretti organization that was almost ceremonial. He attended meetings, handled certain business arrangements, and maintained relationships with families that had once served under his uncle.

Alessandro had allowed him to remain.

Not because he trusted him.

Because he believed Adrian was harmless.

Now that assumption seemed increasingly expensive.

Alessandro called Marco.

"Bring me every file we have on Adrian Vescari."

"All of them?"

"Every account. Every company. Every shipment. Every person who has received money from him."

"Understood."

"And Marco?"

"Yes, boss?"

"Find out who has been asking about the west gallery."

There was a pause.

"Why?"

"Because someone has."

He ended the call.

Then he looked at Elena.

"Tell me about the night my mother died."

The old woman's hands trembled.

"It was raining."

Alessandro said nothing.

"Your father had been away for three days. He returned late that evening. Your mother was waiting in her bedroom. They argued."

"About what?"

"Money. The family. Something she had discovered."

"Did you hear what they said?"

"Only fragments."

"What fragments?"

Elena swallowed.

"Your mother said, 'You promised me he would never become like you.'"

Alessandro's eyes narrowed.

"Who?"

"You."

The words struck him harder than he expected.

Elena continued.

"Your father answered that he had done what was necessary to protect the family. Your mother told him that a family built on fear would eventually turn against its own children."

Alessandro looked away.

He remembered that night.

He remembered waking up to the sound of shouting.

He remembered his mother entering his bedroom and kissing his forehead.

He remembered asking her whether everything was all right.

She had smiled.

She had told him to go back to sleep.

The next morning, she was dead.

"What happened afterward?" he asked.

"Your father ordered everyone to remain silent. I was told to pack my things and leave."

"By whom?"

"Salvatore."

Alessandro's expression became unreadable.

"Did my father know?"

"I believe he did."

"Believe?"

"I never had proof."

Alessandro moved toward the window.

Below, Sofia was walking through the garden with her governess.

The little girl stopped beside a fountain and looked up toward the house.

She waved.

Alessandro raised one hand.

Then he turned back to Elena.

"My daughter touched that painting today."

Elena closed her eyes.

"Then Isabella has finally found a way to reach you."

"Don't speak to me in riddles."

"I'm not."

"Did my mother know something about Sofia?"

Elena looked startled.

"No. Sofia wasn't born until many years after Isabella died."

"Then why does my daughter keep talking about her?"

The old woman hesitated.

"What does she say?"

"That her grandmother cries."

Elena lowered herself into a chair.

"Perhaps your daughter sees what the rest of us refused to see."

***

That afternoon, Alessandro returned to the west gallery.

He had ordered the guards to leave.

The portrait stood exactly where it had stood for eighteen years.

Its gilded frame was nearly three meters high. The painted Isabella wore a dark velvet gown and a necklace of pearls. Her hands rested upon a small book.

The cracks were visible beneath the afternoon light.

Alessandro approached.

He remembered his mother standing in front of it.

She used to tell him that portraits were dangerous things.

"They make people believe they know someone," she had said.

He had been eleven.

"Don't they?"

"No. They only show what the painter was allowed to see."

He touched the frame.

The gold leaf was cold beneath his fingers.

He examined the back of the canvas, but the frame was too heavy to move without assistance.

He called Marco.

"Bring two men."

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THE MAFIA KING'S DAUGHTER TOUCHED A PAINTING NO ONE WAS ALLOWED TO TOUCH — WHAT HE FOUND LEFT HIM SPEECHLESS

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